Puppet Lab is our emerging artist incubator. Facilitated by Alison Heimstead, this program is entering its 8th year of radical, genre-expanding, boundary-pushing work.
Four emerging puppet artists have received the $2,500 Puppet Lab grant: Akiko, Tara Fahey, Kallie Melvin, and Andrew Young. Going into its eighth year, previous Puppet Lab recipients include Daniel Polnau, Eben Kowler, Chamindika Wanduragala, and Steve Ackerman.
Puppet Lab creates space for emerging puppet and mask theater artists to advance their artistic development – to test and create new works within a supportive and challenging workshop environment.
About This Year's Recipients:
Performing March 15-17th
Tara Fahey is an artist, teacher, and performer. Growing throughout the past twelve years with Barebones Productions, as a section designer of lantern and dimensional puppets and strengthened through camaraderie and collective work with Chicks on Sticks, a Mpls.based women’s stilt troupe, there is a spark to explore through independent work.
Devotion is an immersive puppet epic bringing us into Rachel Carson's early life. Experience the outpouring of Rachel’s devotion to the ocean, witness the struggles and successes that defined her life, and be transformed by the impact of her work, still reverberating in our world today.
Akiko is a multidisciplinary artist whose work directly reflects her experience as an immigrant woman of color, with an emphasis on community engagement and social justice.
A for Akiko, Asian, Alien, Atomic bombs, American Dream, Away from home, At home. Weaving together shadow puppet, progressive collage, poetry, and dance, A explores white supremacy and white fear from an immigrant point of view.
Performing March 22-24th
Andrew Young is a Taiwanese-Indonesian-American visual and performance artist interested in the natural world, our inner lives, ancestry, and the ways we connect with each other. An emerging puppeteer, Andrew is excited to continue to explore the possibilities of shadow puppets, as well as masks, giant puppets, and ways different forms of puppetry can be combined.
Growing up as a minority there are a lot of things you keep to yourself; questions only looked at within the shadows of yourself. Through shadow puppetry, live performance, storytelling, and sound, The Alluvial explores questions of place, belonging, and the shifting nature of memory -- a meditation on family, migration, and identity, to bring the things passed down to us into the light.
Kallie Melvin is an emerging puppeteer and theater maker. She was adopted from Kolkata, India and grew up in the Twin Cities.
What is “Home“? Using a combination of original music, paper shadow puppets, photography, and live action performance, Not here, Not there follows the journey of an international adoptee. Through an exploration of grief and loss, family, memories, and more, a new definition of home emerges through a world of shadows.
What is Puppet Lab?
Puppet Lab is a developmental laboratory for artists working within the medium of puppetry. Four artists or collaborative teams will be selected on the basis of a proposed project that will be work-shopped from mid-August 2018 through February 2019. The Puppet Lab program culminates in a public performance at In the Heart of the Beast Theatre (HOBT) in March 2019.
Puppet Lab establishes a formalized process for emerging puppet and mask theater artists to advance their artistic development – to test and create new works within a supportive and challenging workshop environment. This program gives artists the time and space to test ideas, learn from others, and receive and respond to critical feedback.
We are interested in pushing the boundaries of what we collectively consider to be “puppet theater”. We are curious and stimulated by exploratory, experimental, and innovative performance. We are interested in ideas that work within traditional forms as well as projects that are new in every way.
We treasure supporting artists who have worked with puppets as well as artists of other disciplines who are interested in delving into a new art form: shadow puppetry, hand puppets, masks, found objects, automatons, any and all sized spectacles, rod puppets, bunraku, miniature installation, marionettes, ventriloquism, integrated media, cantastoria, toy theater, animated projections or new inventions of any of these ancient forms. We look deeply into how stories (ideas, concept or content) are shared through the means of puppetry.
This program is made possible by generous support from the Jerome Foundation.